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The Lifetime Achievement Award for Jazz at the 2010 Grammies went to trumpeter and flugelhornist Clark Terry. Terry is no stranger to the Grammies having already won three times. His album "Clark Terry & His Jolly Giants" took best Soloist in 1977, he won Best Big Band Performance in 1976 for "Clark Terry's B-A-D Band Live at Wichita Jazz Festival" and in 1966 for "The Power of Positive Swinging".

Terry was born in St. Louis, Missouri where at Vashon High School he quickly mastered the trombone and bugle. Following graduation, his switch to trumpet made him popular on the riverboats and nightclubs in and out of the St. Louis region. Fresh from Naval Service in the mid-40's, he quickly landed gigs with Lionel Hampton, Charlie Barnet and Eddie Vinson's bands until he joined Count Basie as a regular in 1948. He reached his big band climax as a feature performer for the spectacular Duke Ellington Orchestra from 1951-1959. Personal fame continued to skyrocket during the 60's. Public exposure from ten years with the Doc Severinsen band on the popular Johnny Carson's Tonight Show was largely responsible. At this time he was also busy recording with artists the likes of Oscar Peterson, J. J. Johnson, Ray Charles, Sarah Vaughn and Ella Fitzgerald. Terry also co-led a quintet with Bob Brookmeyer winning that first grammy in 1966.
While Clark work with numerous groups in his career, this brilliant collaboration produced some of the best music of his career. Two of his best albums "Gingerbread" and "The Power of Positive Swinging" are captured on this beautifully remastered double CD set. These recordings positively showcase this consummate horn duo. If you could only buy one recording of Clark Terry to add to your own jazz collection, this would be the one we recommend.
When the Tonight Show moved to Los Angeles in 1972, Terry decided to remain in New York. He also began to increasingly focus on the flugelhorn. Over the next thirty years, he fronted numerous bands and traveled world wide with Norman Granz All Stars. In addition to being a part of Jazz at the Philharmonic series, he had headlined at Carnegie Hall, Lincoln Center and recorded with the London Symphony. Many young artists also came to know him as a great mentor through his contributions to JazzMobile and the Harlem Youth Band. He also hosts his own annual festival to showcase new talent.
Through the six decades and three hundred recordings that document his musical career, Terry dishes up a range of sounds from swing to hard bob to avant garde. He had played in small combos, big bands and with major symphonies. His memorable "Mumbles" reveals an infectious humor while his rendition of Gershwin's Porgy & Bess trembles with emotion. A master of rhythmic expression he can literally make his horn "talk". His unique circular breathing technique enables him to sustain long flowing phrases which have become the signature of his style. Terry's playfulness and Joie de Vivre is evident in his many exuberant performances and recordings. He is said to possess "the happiest sound in jazz". If you are not familiar with Clark Terry's music, please click on any of the titles below to hear samples or purchase these recommended CD's on Amazon.com:
IN ORBIT - Riverside, 1958 - a rare collaboration with Thelonious Monk on piano and Clark Terry on flugelhorn.
OSCAR PETERSON TRIO PLUS ONE - Mercury, 1964 - One of the best Peterson sessions and contains the famous "Mumbles" vocal satire.
LIVE AT THE WICHITA JAZZ FESTIVAL - Vanguard Records & 1977 Grammy Award winner. Big Band sounds at their finest.
GEORGE GERSHWIN'S PORGY & BESS - A440 Records, 2004 - Featured with the Chicago Jazz Orchestra, Terry is at his emotional and symphonic best. Shows the true range of this artist.
CLARK TERRY, BOB BROOKMEYER QUINTET, THE COMPLETE STUDIO RECORDINGS - 2005 Remastered 2 CD set with music from the mid 60's.
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